Possible tracks for short cuts
Biennal / Louvain-La-Neuve, 2017 - iMAL / Brussels, 2019 - CWB / Paris, 2020
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Video clips, texts, music, editing algorythm
illimited duration, variable format (site-specific installation)
Possible Tracks for Short Cuts, a hybrid audiovisual experience combining video, sound and text. Borrowing from film and computer language, the work consists of a series of short cuts, sound tracks and text excerpts arranged randomly according to variants produced by an algorithm. The result, dreamlike, dark, disturbing or melancholic, evokes as many stories as possible, such as trailers, series credits or episodes summaries...
Supported by the words of Laurent de Sutter's texts and the sounds of Youri Balcers, this poetry of randomness carries the spectators into the belly of the city, into a succession of unidentified places devoid of human presence that participate in its "great machinery". The screen within the screen, like a transition lock, offers them unexpected trajectories from which they witness the emergence of a singular narrative, making the spaces they pass through the witnesses of their own physical and mental journeys...
Exhibitions:
2020 Centre Wallonie-Bruxelles, Paris, France
2020 4-hour session on Youtube
2019 iMAL AT WORK, iMAL, Brussels, Belgium
2017 Oh Les Beaux Jours!, 9e Biennale de Louvain-La-Neuve, Belgium
Conception: Alec De Busschère
Production: Unexistant Asbl
Coding: Patrice Gaillard
Texts: Laurent de Sutter
Sound design: Youri Balcers (ft. Teuk Henri)
Camera: Simont Moirot, Vincent Pieraerd, Alec De Busschère
Graphic design: Sunny Side Up, Victor Prokhorov
Colour grading: Cobalt Films
Postproduction: Simon Moirot
With the support of Les Arts Numériques de la Fédération Wallonie-Bruxelles
Press:
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